Joe Nichols & Friends

Influenced by the genre-crossed locker room playlists she and her Texas volleyball teammates blasted, Julia’s musical style blends authentic country storytelling with a little Houston rhythm and attitude. Julia got her start performing the Star-Spangled Banner before her own high-school volleyball games, and was soon performing for NFL, MLB, MLS, NASCAR, and ESPN events before crowds of 75,000. She’s since signed to CAA and toured globally in over 10 countries opening for acts like Dan + Shay, Jon Pardi, Carrie Underwood, Kenny Chesney, Kane Brown, The Chainsmokers, Dierks Bentley, Chase Rice, Lee Brice, Jon Langston, Eli Young Band & more.Julia brings her love for music and sports full-circle by advocating for women's athletics and empowerment. ESPN, Mizuno, and Mizuno Olympians have teamed up with Julia and her music to promote multiple self-worth and confidence focused campaigns. Julia's “Now You Know Music Row” songwriter series ft. #1 Hit Songwriters and Up-And-Coming Artists also fundraised thousands for the Tennessee Boys & Girls Clubs’ sports programs.

Most call it “ Kiser Kountry ”. Kiser draws his influences from artists like: Travis Tritt, The Eagles, George Straight, Ray Charles and Hank Jr. The realness in his songs and sound are evident by the pain in his voice and the truth of his lyrics. Kiser is hammering out his own creative niche that fans will readily identify with the East Tennessee native himself Josh Kiser.

Wynn came to love country music at a very young age. He discovered his father’s collection of classic country albums. He even traded his big brother’s “Grand Funk Railroad” for a copy of Jimmy Dean’s “Big Bad John”. He still has a scar to prove it. Around the age of 14 a neighbor named Ned Smith showed him a few chords on an old guitar. As soon as Wynn learned a few chords, he began to write his own songs. Wynn says Willie Nelson taught him the rest from the “Red Headed Stranger” album.

After many years of playing in honkytonks, bars and feed store parking lots; he decided to make the move to Nashville. His first radio single was “Fit To Be Tied Down” by Sammy Kershaw. Since then he has had dozens of hits including three number ones…all three were nominated as Song Of The Year by either CMA or ACM and sometimes both. Those songs are: “Have You Forgotten” by Darryl Worley, “Waiting On A Woman” by Brad Paisley, and “I’m A Little More Country Than That” recorded by Easton Corbin. Wynn still writes songs every day and tours extensively. His latest CD “Portrait of My Father” is available now on Spotify, Apple Music, and other streaming platforms. Some of his latest singles are “She Ain’t In It” by Jon Pardi and “Left Right” by Hannah Dasher.

Born in Mobile, Alabama, and educated (socially at the very least) at The Florida State University, Tyler’s down home sensibility, attitude and humor come across in his songs and through his live performances. Always a storyteller, songwriting fits quite naturally for Reeve. “I’m a song guy; I love songs, I love stories, I love the ride music can take you on.” Tyler’s performance are riddled with stories – usually funny stories – about inspiration for his songs, having a few too many, and even spending a night or two in jail.

Marla has had cuts by everyone from Sammy Kershaw, Billy Currington, Blake Shelton, Eric Church, Kenny Chesney, George Strait and many others. Marla has twice more reached #1 status with “Ten Rounds of Jose Cuervo” by Tracy Byrd, and “Cleaning This Gun” by Rodney Atkins. You can also find her name on the Willie Nelson / Merle Haggard duet “Unfair Weather Friend”, “Stealing Home” by Willie Nelson, and “Same Devil” by Brandy Clark (feat. Brandi Carlile).

His songwriting is a testament to life in Kentucky, where he used to run up and down the holler roads – going anywhere he wanted, just because he could. That freedom, he says, rings out in every note he plays. You can hear traces of Guy Clark and Darrell Scott in his lyric, and the echo of John Mayer and Tony Rice in his guitar licks – and a hint of old-time spirituality in his voice. His songs are both smart and accessible, running wild and smiling back at Nashville from the open road. Martin is at the apex of his musical freedom, not afraid of joy or sorrow, just eager to share what he loves with the audience.